Antonin Dvorak predicted that American classical music would draw from African American traditions. A new article wonders why American classical music has remained so white.
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"It's not a bad thing to be old fashioned, but, you know, not everything old fashioned was great either. This kind of meets in the middle," Jon Pardi says of his new album.
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Ric Ocasek, photographed in New York in June, 1995 — the same year a young Matthew Caws handed him a demo recording of his band, Nada Surf. Shortly thereafter, Ocasek was producing the group's debut album, High/Low.
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Celia Cruz performs in New York in 1995. That same year, Deborah Paredez saw her at Chicago's Aragon Ballroom. "Cruz opened her mouth, the band lifted their horns and we came together on the dancefloor," she says.
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Andy Kirk And His Orchestra, including Mary Lou Williams (sitting at the piano), pose for a studio group portrait in 1940. Williams toured with Kirk's band before settling in New York.
Mary Lou Williams in 1942. In the 1930s and '40s, her apartment on 63 Hamilton Terrace formed an important space in advancing the evolution of jazz and the survival of musicians.
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